<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-7913876</id><updated>2012-02-10T05:14:09.934Z</updated><title type='text'>aegean traveller</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://aegeantraveller.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7913876/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://aegeantraveller.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>lotus eater</name><uri>http://www.blogger.com/profile/08168138141375316437</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='23' height='32' src='http://www.variety.com/graphics/photos/storypics/troy_pitt.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>4</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-7913876.post-8415149523949493415</id><published>2009-08-22T11:58:00.002+01:00</published><updated>2010-03-08T12:07:34.057Z</updated><title type='text'></title><content type='html'>&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Poets Corner&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;The donkey waiting under a load of jars&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Under the prickly-pear and the white walls&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Of this necropolis brays without an echo &lt;/em&gt;&lt;br /&gt;&lt;em&gt;To stir the rare blue waterfalls of shade.&lt;/em&gt;&lt;br /&gt;&lt;em&gt;There is nothing here, nothing at all.&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Only, perhaps a question or a mood&lt;/em&gt;&lt;br /&gt;&lt;em&gt;A reference or a suggestion,&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Rocks and the sun, and pastures for dolphins&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Scattered with other islands, &lt;/em&gt;&lt;em&gt;old and bare&lt;/em&gt;&lt;br /&gt;&lt;em&gt;As jutting bones, recent as thunderbolts. &lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;br /&gt;Unfathomable wells&lt;br /&gt;Tunnel the heart of the pumice. Like a hand&lt;br /&gt;The fig leaf lays a shadow on the dust.&lt;br /&gt;&lt;br /&gt;These islands are at the end of a hundred worlds.&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;From Greek Archipelagoes, Patrick Leigh Fermor, 1949&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7913876-8415149523949493415?l=aegeantraveller.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aegeantraveller.blogspot.com/feeds/8415149523949493415/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7913876&amp;postID=8415149523949493415' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7913876/posts/default/8415149523949493415'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7913876/posts/default/8415149523949493415'/><link rel='alternate' type='text/html' href='http://aegeantraveller.blogspot.com/2009/08/poets-corner-donkey-waiting-under-load.html' title=''/><author><name>lotus eater</name><uri>http://www.blogger.com/profile/08168138141375316437</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='23' height='32' src='http://www.variety.com/graphics/photos/storypics/troy_pitt.jpg'/></author><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7913876.post-109235137668777753</id><published>2009-08-21T22:59:00.015+01:00</published><updated>2011-02-11T12:51:08.443Z</updated><title type='text'>The book that started it all !</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_jhD1FRC4aqk/So_Z99KJepI/AAAAAAAAABI/bnPtREG6V6w/s1600-h/colossus_green.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5372752538888665746" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 238px; CURSOR: hand; BORDER-TOP-STYLE: none; BORDER-RIGHT-STYLE: none; BORDER-LEFT-STYLE: none; HEIGHT: 400px; TEXT-ALIGN: center; BORDER-BOTTOM-STYLE: none" alt="" src="http://2.bp.blogspot.com/_jhD1FRC4aqk/So_Z99KJepI/AAAAAAAAABI/bnPtREG6V6w/s400/colossus_green.jpg" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7913876-109235137668777753?l=aegeantraveller.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aegeantraveller.blogspot.com/feeds/109235137668777753/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7913876&amp;postID=109235137668777753' title='22 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7913876/posts/default/109235137668777753'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7913876/posts/default/109235137668777753'/><link rel='alternate' type='text/html' href='http://aegeantraveller.blogspot.com/2004/09/book-that-started-it-all.html' title='The book that started it all !'/><author><name>lotus eater</name><uri>http://www.blogger.com/profile/08168138141375316437</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='23' height='32' src='http://www.variety.com/graphics/photos/storypics/troy_pitt.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_jhD1FRC4aqk/So_Z99KJepI/AAAAAAAAABI/bnPtREG6V6w/s72-c/colossus_green.jpg' height='72' width='72'/><thr:total>22</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7913876.post-109352562716140451</id><published>2009-08-21T13:56:00.036+01:00</published><updated>2011-02-11T16:31:18.100Z</updated><title type='text'>Bibliography : Greece Travel Writing in English</title><content type='html'>&lt;span style="font-size:+130;"&gt;&lt;br /&gt;This bibliography is intended as a resource for collectors of 'travel literature', which I take to mean books which have been written to relate personal experience of travel or residence. In other words, they are at least in part biographical, which sets them apart from the much larger 'guide book' genre. The list is not exhaustive, excluding for example material published before 1882. Publication dates are given for the first English language edition.&lt;br /&gt;&lt;br /&gt;Where the title is given in capitals, I have linked to an image of the book cover.&lt;br /&gt;&lt;br /&gt;Please feel free to make suggestions and help me populate the list by posting comments to this blog.&lt;br /&gt;&lt;br /&gt;I have attempted to implement a crude rating system.&lt;br /&gt;&lt;br /&gt;Books which I would personally &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_0"&gt;re&lt;/span&gt;&lt;span class="blsp-spelling-error"&gt;commend&lt;/span&gt; without reservation are marked (&lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;)&lt;br /&gt;&lt;br /&gt;Books marked (&lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;) are included to let you know they exist. I know too little, if anything, about the book or author to &lt;span class="blsp-spelling-corrected" id="SPELLING_ERROR_1"&gt;recommend&lt;/span&gt; them in any way.&lt;br /&gt;&lt;br /&gt;For everything else you may assume that either I own a copy, have read positive reviews, have examined the book in detail or am confident in the quality of the author. These books have something to &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_2"&gt;recommend&lt;/span&gt; them, depending on your particular interests.&lt;br /&gt;&lt;br /&gt;Richard Ridley Farrer &lt;em&gt;&lt;span style="color:#000099;"&gt;A Tour in Greece - 1880&lt;/span&gt;&lt;/em&gt; (1882) Greece general &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;J. Theodore Bent &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;The Cyclades or Life among the Insular Greeks &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1885, reprinted 2002)&lt;/span&gt; &lt;span style="color:#ff0000;"&gt;&lt;strong&gt;Rec&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Charles Edwardes &lt;em&gt;&lt;span style="color:#000099;"&gt;Letters from Crete: Letters Written During the Spring of 1886&lt;/span&gt;&lt;/em&gt; (1887) &lt;span style="color:#ff0000;"&gt;&lt;strong&gt;???&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Isabel J. Armstrong &lt;em&gt;&lt;span style="color:#000099;"&gt;Two Roving Englishwomen in Greece&lt;/span&gt;&lt;/em&gt; (1893) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Samuel J. Burrows &lt;em&gt;&lt;span style="color:#000099;"&gt;The Isles and Shrines of Greece&lt;/span&gt;&lt;/em&gt; (1898) Greece general &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;George Horton &lt;em&gt;&lt;span style="color:#000099;"&gt;In &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_3"&gt;Argolis&lt;/span&gt;&lt;/span&gt;&lt;/em&gt; (1902) Greece general &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_4"&gt;Philip Sanford Marden&lt;span style="color:#000099;"&gt; &lt;em&gt;&lt;span style="color:#000099;"&gt;Greece and the Aegean Islands&lt;/span&gt; (1907) Greece general &lt;span style="color:#ff0000;"&gt;&lt;strong&gt;???&lt;/strong&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="blsp-spelling-error"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="blsp-spelling-error"&gt;Ellen Sophia Bosanquet &lt;em&gt;&lt;span style="color:#000099;"&gt;Days in Attica&lt;/span&gt;&lt;/em&gt; (1914) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="blsp-spelling-error"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="blsp-spelling-error"&gt;Manatt&lt;/span&gt; J Irving &lt;em&gt;&lt;span style="color:#000099;"&gt;Aegean Days&lt;/span&gt;&lt;/em&gt; (1914) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Anthony Dell &lt;em&gt;&lt;span style="color:#000099;"&gt;Isles of Greece&lt;/span&gt;&lt;/em&gt; (1926) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;W &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_5"&gt;Macheile&lt;/span&gt; Dixon &lt;em&gt;&lt;span style="color:#000099;"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_6"&gt;Hellas&lt;/span&gt; Revisited&lt;/span&gt;&lt;/em&gt; (1929) Greece general &lt;span style="color:#ff0000;"&gt;&lt;strong&gt;???&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Harry Alverson Franck &lt;em&gt;&lt;span style="color:#000099;"&gt;I Discover Greece - Wherein an Incurable Nomad Sets Forth What Befell Him and an Artist Friend During a Labarynthine Summer Journey Through Modern Hellas.&lt;/span&gt;&lt;/em&gt; (1929) Greece general &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;George Horton &lt;em&gt;&lt;span style="color:#000099;"&gt;Home of Nymphs and Vampires: the Isles of Greece&lt;/span&gt;&lt;/em&gt; (1929) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;V C Scott O'Connor &lt;em&gt;&lt;span style="color:#000099;"&gt;Isles of the Aegean&lt;/span&gt;&lt;/em&gt; (1929) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Frederick Spencer Burnell &lt;em&gt;&lt;span style="color:#000099;"&gt;Wanderings in Greece&lt;/span&gt;&lt;/em&gt; (1931) Greece general &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Compton Mackenzie &lt;em&gt;&lt;span style="color:#000099;"&gt;Athenian Memories&lt;/span&gt;&lt;/em&gt; (1931) first world war, military intelligence &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color:#ff0000;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;Compton Mackenzie &lt;span style="color:#000099;"&gt;&lt;em&gt;Greek Memories&lt;/em&gt;&lt;/span&gt; (1932) first world war, military intelligence &lt;/span&gt;&lt;span style="color:#ff0000;"&gt;&lt;strong&gt;???&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Ernest Gardner &lt;span style="color:#000099;"&gt;&lt;em&gt;Greece and the Aegean&lt;/em&gt;&lt;/span&gt; (1933) mainland, islands, Constantinople &lt;span style="color:#ff0000;"&gt;&lt;strong&gt;???&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Eric Wharton &lt;em&gt;&lt;span style="color:#000099;"&gt;Wine Dark Seas&lt;/span&gt;&lt;/em&gt; (1937) islands &lt;span style="color:#ff0000;"&gt;&lt;strong&gt;???&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Bert Birtles &lt;em&gt;&lt;span style="color:#000099;"&gt;Exiles in the Aegean: a Personal Narrative of Greek Politics and Travel&lt;/span&gt;&lt;/em&gt; (1938) Greece general &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Ralph Brewster &lt;em&gt;&lt;span style="color:#000099;"&gt;Island of Z&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_7"&gt;eus&lt;/span&gt;: Wanderings in Crete&lt;/span&gt;&lt;/em&gt; (1939) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Eric Gifford &lt;span style="color:#000099;"&gt;&lt;em&gt;East of Athens&lt;/em&gt;&lt;/span&gt; (1939) mainland, islands, Cyprus, Cairo, Palestine&lt;br /&gt;&lt;br /&gt;Sidney Hopper &lt;span style="color:#000099;"&gt;&lt;em&gt;Greek Earth &lt;/em&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;(1939) mainland&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Dorothy &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_8"&gt;Ratcliffe&lt;/span&gt; &lt;em&gt;&lt;span style="color:#000099;"&gt;News of Persephone: Impressions in Northern and Southern Greece with a car, a kettle and cameras&lt;/span&gt;&lt;/em&gt; (1939) reissued 1941 as &lt;em&gt;&lt;span style="color:#000099;"&gt;'Grecian Glory' &lt;/span&gt;&lt;span style="color:#ff0000;"&gt;&lt;strong&gt;???&lt;/strong&gt;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Compton Mackenzie &lt;span style="color:#000099;"&gt;&lt;em&gt;Aegean Memories&lt;/em&gt;&lt;/span&gt; (1940) first world war, military intelligence &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Henry Miller &lt;span style="COLOR: rgb(51,0,153); FONT-STYLE: italic"&gt;The Colossus of &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_9"&gt;Maroussi&lt;/span&gt;&lt;/span&gt; (1941) Greece general &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_10"&gt;Dilys&lt;/span&gt; Powell &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Remember Greece &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1941) Greece general&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Peter Gray &lt;em&gt;&lt;span style="color:#000099;"&gt;People of &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_11"&gt;Poros&lt;/span&gt;&lt;/span&gt;&lt;/em&gt; (1942) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_12"&gt;Dilys&lt;/span&gt; Powell &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;The Traveller's Journey is Done &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1943) &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_13"&gt;Humfry&lt;/span&gt; Payne; archaeologist, &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_14"&gt;Perachora&lt;/span&gt;, mainland&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Richard &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_15"&gt;Capell&lt;/span&gt; &lt;em&gt;&lt;span style="color:#000099;"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_16"&gt;Simiomata&lt;/span&gt;: a Greek Notebook 1944-1945&lt;/span&gt;&lt;/em&gt; (1945) end of war and aftermath&lt;br /&gt;&lt;br /&gt;Lawrence &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_17"&gt;Durrell&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153); FONT-STYLE: italic"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_18"&gt;Prospero's&lt;/span&gt; Cell&lt;/span&gt; (1945) Corfu&lt;br /&gt;&lt;br /&gt;W.E. &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_19"&gt;Benyon&lt;/span&gt;-Tinker &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Dust Upon the Sea &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1947) World War II, Aegean, Levant Schooner Flotilla &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_20"&gt;Lodwick&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;The Filibusters: the Story of the Special Boat Service &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1947) World War II, including much on Aegean operations&lt;/span&gt; &lt;span style="color:#ff0000;"&gt;&lt;strong&gt;Rec&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Willie Snow Ethridge &lt;em&gt;&lt;span style="color:#000099;"&gt;It's Greek to Me&lt;/span&gt;&lt;/em&gt; (1948) Greece and Balkans, Diplomacy &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Osbert Lancaster &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Classical Landscape With Figures &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1949) Greece general&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Christopher &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_21"&gt;Kininmonth&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;The Children of &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_22"&gt;Thetis&lt;/span&gt;: A Study of Islands and Islanders in the Aegean &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1949)&lt;/span&gt;&lt;br /&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;&lt;/span&gt;&lt;br /&gt;W. Stanley Moss &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Ill Met by Moonlight &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1950) World War II, Crete&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Rex Warner &lt;em&gt;&lt;span style="color:#000099;"&gt;Views of Attica and its Surroundings&lt;/span&gt;&lt;/em&gt; (1950)&lt;br /&gt;&lt;br /&gt;Lilian Brown &lt;em&gt;&lt;span style="color:#000099;"&gt;Cleopatra Slept Here&lt;/span&gt;&lt;/em&gt; (1951) &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_23"&gt;Samos&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Walter Thomas &lt;em&gt;&lt;span style="color:#000099;"&gt;Dare to be Free&lt;/span&gt;&lt;/em&gt; (1951) Crete, Mount &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_24"&gt;Athos&lt;/span&gt;, world war 2 escapism &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Lawrence &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_25"&gt;Durrell&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Reflections on a Marine Venus: a Companion to the Landscape of Rhodes &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1953)&lt;/span&gt; &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_26"&gt;Xan&lt;/span&gt; Fielding &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;The Stronghold: &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;an account of the four seasons in the White Mountains of Crete &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1953)&lt;/span&gt; &lt;span style="color:#ff0000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;A.M. &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_27"&gt;Rendell&lt;/span&gt; &lt;span style="COLOR: rgb(102,255,153)"&gt;&lt;span style="COLOR: rgb(51,0,153); FONT-STYLE: italic"&gt;Appointment in Crete: the story of a British Agent &lt;/span&gt;&lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1953) World War II&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Goran &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_28"&gt;Schildt&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;In the Wake of Odysseus &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1953) Italy, Greece and Greek Islands yachting&lt;/span&gt; &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_29"&gt;Xan&lt;/span&gt; Fielding &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Hide and Seek: the Story of a War-Time Agent &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1954) World War II, Crete&lt;/span&gt; &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Robert &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_30"&gt;Liddell&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Aegean Greece &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1954)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Barbara &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_31"&gt;Whelpton&lt;/span&gt; &lt;em&gt;&lt;span style="color:#000099;"&gt;A Window on Greece&lt;/span&gt;&lt;/em&gt; (1954) Greece general &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;George &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_32"&gt;Psychoundakis&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;The Cretan Runner: His Story of the German Occupation &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1955)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Harold Freed &lt;em&gt;&lt;span style="color:#000099;"&gt;Alderfer I like Greece&lt;/span&gt;&lt;/em&gt; (1956) &lt;span style="color:#ff0000;"&gt;&lt;strong&gt;???&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Gerald &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_33"&gt;Durrell&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;My Family and Other Animals &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1956) Corfu&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_34"&gt;Kinross&lt;/span&gt; (Lord) &lt;span style="color:#000099;"&gt;&lt;em&gt;Portrait of Greece&lt;/em&gt;&lt;/span&gt; (1956) mainland, Crete, islands &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Anne Anthony &lt;em&gt;&lt;span style="color:#000099;"&gt;Greek holiday&lt;/span&gt;&lt;/em&gt; (1957) Greece general&lt;br /&gt;&lt;br /&gt;Lawrence &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_35"&gt;Durrell&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153); FONT-STYLE: italic"&gt;Bitter Lemons of Cyprus&lt;/span&gt; (1957)&lt;br /&gt;&lt;br /&gt;Monica &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_36"&gt;Krippner&lt;/span&gt; &lt;span style="color:#000099;"&gt;&lt;em&gt;&lt;strong&gt;&lt;a href="http://picasaweb.google.com/lh/photo/YZwVh4uMom28n5sqKyYP-g?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink"&gt;&lt;span style="color:#000099;"&gt;BEYOND ATHENS&lt;/span&gt;&lt;/a&gt;&lt;/strong&gt;, Journeys through Greece&lt;/em&gt;&lt;/span&gt; (1957) mainland and islands&lt;br /&gt;&lt;br /&gt;Clarence Lee &lt;em&gt;&lt;span style="color:#000099;"&gt;&lt;a href="http://picasaweb.google.com/lh/photo/LHqHXbzoae3QxJmsUxhdZA?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;ATHENIAN ADVENTURE&lt;/span&gt;&lt;/strong&gt; &lt;/a&gt;- with &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_37"&gt;Alarums&lt;/span&gt; and Excursions&lt;/span&gt;&lt;/em&gt; (1957) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_38"&gt;Dilys&lt;/span&gt; Powell &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;&lt;strong&gt;&lt;a href="http://picasaweb.google.com/lh/photo/D8zEbwNvE_AQPDlqqt8s-w?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink"&gt;&lt;span style="color:#000099;"&gt;AN AFFAIR OF THE HEART&lt;/span&gt;&lt;/a&gt;&lt;/strong&gt; &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1957) &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_39"&gt;Perachora&lt;/span&gt;, mainland&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Patrick Anderson &lt;em&gt;&lt;strong&gt;&lt;a href="http://picasaweb.google.com/lh/photo/feBJaOwDx-OgAVBEiw9MPA?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink"&gt;&lt;span style="color:#000099;"&gt;FIRST STEPS IN GREECE&lt;/span&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/em&gt; (1958) mainland, islands&lt;br /&gt;&lt;br /&gt;Charmian &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_40"&gt;Clift&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Mermaid Singing &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1958) &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_41"&gt;Kalymnos&lt;/span&gt;&lt;/span&gt; &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Patrick Leigh &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_42"&gt;Fermor&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153); FONT-STYLE: italic"&gt;Mani&lt;/span&gt;&lt;span style="COLOR: rgb(51,0,153)"&gt; &lt;/span&gt;(1958) southern mainland &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Robert &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_43"&gt;Liddell&lt;/span&gt; &lt;span style="color:#000099;"&gt;&lt;em&gt;The &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_44"&gt;Morea&lt;/span&gt;&lt;/em&gt;&lt;/span&gt; (1958) Peloponnese&lt;br /&gt;&lt;br /&gt;John Lincoln (&lt;em&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_45"&gt;nom&lt;/span&gt; &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_46"&gt;de&lt;/span&gt; plume&lt;/em&gt; for Maurice Cardiff) &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;&lt;a href="http://picasaweb.google.com/lh/photo/Q7krKBBN38WvL-xCV25whA?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;ACHILLES AND THE TORTOISE&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;span style="color:#000099;"&gt;:&lt;/span&gt; an Eastern Aegean Exploit &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1958) World War II, &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_47"&gt;Lesbos&lt;/span&gt; and &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_48"&gt;Samos&lt;/span&gt;&lt;/span&gt; &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Kevin Andrews &lt;span style="COLOR: rgb(51,0,153); FONT-STYLE: italic"&gt;The Flight of &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_49"&gt;Ikaros&lt;/span&gt;&lt;/span&gt; (1959) mainland : civil war period&lt;br /&gt;&lt;br /&gt;Charmian &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_50"&gt;Clift &lt;/span&gt;&lt;a href="http://picasaweb.google.com/lh/photo/IhPEhW8L-WpE6jgQ4JI_6A?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink"&gt;&lt;em&gt;&lt;span style="color:#000099;"&gt;&lt;strong&gt;PEEL ME A LOTUS&lt;/strong&gt;&lt;/span&gt;&lt;/em&gt; &lt;/a&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1959) Hydra&lt;/span&gt; &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Goran &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_51"&gt;Schildt&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;The Sea of Icarus &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1959) Venice, Dalmatia, Greece and Greek Islands Yachting&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Helen Miller Greek Horizons (1961) &lt;span class="blsp-spelling-corrected" id="SPELLING_ERROR_52"&gt;mainland&lt;/span&gt; and islands &lt;span style="color:#ff0000;"&gt;&lt;strong&gt;???&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Eric and Barbara &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_53"&gt;Whelpton&lt;/span&gt; &lt;em&gt;&lt;span style="color:#000099;"&gt;Greece and the Islands&lt;/span&gt;&lt;/em&gt; (1961) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Christopher Rand &lt;em&gt;&lt;span style="color:#000099;"&gt;Grecian Calendar&lt;/span&gt;&lt;/em&gt; (1962) Greece general&lt;br /&gt;&lt;br /&gt;Patrick Anderson &lt;span style="color:#000099;"&gt;&lt;em&gt;&lt;strong&gt;&lt;a href="http://picasaweb.google.com/lh/photo/L2bIOP3Fo3d9v1Vl13glMw?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink"&gt;&lt;span style="color:#000099;"&gt;DOLPHIN DAYS&lt;/span&gt;&lt;/a&gt;&lt;/strong&gt;: a literary companion to &lt;span class="blsp-spelling-corrected" id="SPELLING_ERROR_54"&gt;Mediterranean&lt;/span&gt; pleasures&lt;/em&gt;&lt;/span&gt; (1963) mainland, Ionian islands&lt;br /&gt;&lt;br /&gt;Stephen &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_55"&gt;Toulmin&lt;/span&gt; &lt;span style="color:#000099;"&gt;&lt;em&gt;Night Sky at Rhodes&lt;/em&gt;&lt;/span&gt; (1963) Islands and Turkey&lt;br /&gt;&lt;br /&gt;Leslie Finer &lt;em&gt;&lt;span style="color:#000099;"&gt;Passport to Greece: an Informal Guide to Enjoying the Country&lt;/span&gt;&lt;/em&gt; (1964) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Michael Carroll &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Gates of the Wind &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1965) &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_56"&gt;Sporades&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Brenda Chamberlain &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;A Rope of Vines &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1965) Hydra&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Robert &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_57"&gt;Liddell&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Mainland Greece &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1965) north of Corinth&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Robert Payne &lt;em&gt;&lt;span style="color:#000099;"&gt;The Isles of Greece&lt;/span&gt;&lt;/em&gt; (1965)&lt;br /&gt;&lt;br /&gt;Michael Smith &lt;em&gt;&lt;span style="color:#000099;"&gt;The Great Island: a Study of Crete&lt;/span&gt;&lt;/em&gt; (1965)&lt;br /&gt;&lt;br /&gt;Lucile and George &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_58"&gt;Brockway&lt;/span&gt; &lt;a href="http://picasaweb.google.com/lh/photo/_0Ti3TsHMn4LDc8Rnrx3WA?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink"&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;GREECE, A CLASSICAL TOUR WITH EXTRAS&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt; &lt;/a&gt;(1966) mainland, islands&lt;br /&gt;&lt;br /&gt;Patrick Leigh &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_59"&gt;Fermor&lt;/span&gt;&lt;span style="COLOR: rgb(153,255,153)"&gt;.&lt;/span&gt;&lt;span style="COLOR: rgb(51,0,153); FONT-STYLE: italic"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_60"&gt;Roumeli&lt;/span&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(51,0,153)"&gt; &lt;/span&gt;(1966) northern mainland &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Ethel Beer &lt;em&gt;&lt;span style="color:#000099;"&gt;Marvellous Greece: an Appreciation of the Country and its People&lt;/span&gt;&lt;/em&gt; (1967) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Peter Bull &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;It Isn't All Greek to Me &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1967) &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_61"&gt;Paxos&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Elias &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_62"&gt;Kulukundis&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Journey to a Greek Island &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1967) &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_63"&gt;Kassos&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Frederick Will &lt;em&gt;&lt;span style="color:#000099;"&gt;From a Year in Greece&lt;/span&gt;&lt;/em&gt; (1967) mainland, islands, Turkey &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Carola Matthews &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;The Mad Pomegranate Tree: an Image of Modern Greece &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1968) Greece general &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Colin Simpson &lt;span style="color:#000099;"&gt;&lt;em&gt;Greece: the Unclouded Eye&lt;/em&gt;&lt;/span&gt; (1968) Greece general &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Robin Bryans &lt;span style="color:#000099;"&gt;&lt;em&gt;Crete &lt;/em&gt;(1969) &lt;/span&gt;&lt;span style="color:#ff0000;"&gt;&lt;strong&gt;???&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Gerald &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_64"&gt;Durrell&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;&lt;a href="http://picasaweb.google.com/peelmealotus/AegeanTraveller?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink#5384620678972670482"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;BIRDS, BEASTS AND RELATIVES&lt;/span&gt;&lt;/strong&gt; &lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1969) Corfu&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lawrence &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_65"&gt;Durrell&lt;/span&gt; (Alan G. Thomas ed.) &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Spirit of Place: Letters and Essays on Travel &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1969)&lt;/span&gt; includes Greece and Cyprus&lt;br /&gt;&lt;br /&gt;Joseph Braddock&lt;span style="color:#000099;"&gt;&lt;em&gt; Sappho's Island: a Paean for &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_66"&gt;Lesbos&lt;/span&gt;&lt;/em&gt;&lt;/span&gt; (1970) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Herbert &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_67"&gt;Kubly&lt;/span&gt; &lt;span style="color:#000099;"&gt;&lt;em&gt;Gods and Heroes&lt;/em&gt;&lt;/span&gt; (1970) Greece general&lt;br /&gt;&lt;br /&gt;William Travis &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Bus Stop &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_68"&gt;Symi&lt;/span&gt; &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1970)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Anne Anthony &lt;em&gt;&lt;span style="color:#000099;"&gt;Greece: Hut and &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_69"&gt;Highrise&lt;/span&gt;&lt;/span&gt;&lt;/em&gt; (1971) Greece general &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Ian Brook (&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_70"&gt;nom&lt;/span&gt; &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_71"&gt;de&lt;/span&gt; plume for Ian &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_72"&gt;Brinkworth&lt;/span&gt;) &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;A Sea Blue Boat and a Sun God's Island &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1971) Rhodes&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Carola Matthews &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;At the Top of the &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_73"&gt;Muletrack&lt;/span&gt; &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1971) &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_74"&gt;Amorgos&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Jack &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_75"&gt;Causton&lt;/span&gt; &lt;em&gt;&lt;span style="color:#000099;"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_76"&gt;Skiathos&lt;/span&gt;: the Shaded Isle&lt;/span&gt;&lt;/em&gt; (1972) island guide with contributions from local expatriates &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Henry Miller &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;First Impressions of Greece &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1973)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Pierson &lt;span style="color:#000099;"&gt;&lt;em&gt;Island in Greece&lt;/em&gt;&lt;/span&gt; (1973) &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_77"&gt;Syros&lt;/span&gt; &lt;span style="color:#ff0000;"&gt;&lt;strong&gt;???&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_78"&gt;Dilys&lt;/span&gt; Powell &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;The Villa Ariadne &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1973) Crete&lt;/span&gt; &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Theodore &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_79"&gt;Stephanides&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Island Trails &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1973) Islands general, mainly Corfu&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Brian Dicks &lt;em&gt;&lt;strong&gt;&lt;a href="http://picasaweb.google.com/lh/photo/cx4yMjIyY9Fue7wxvVY45g?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink"&gt;&lt;span style="color:#000099;"&gt;RHODES&lt;/span&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/em&gt; (1974)&lt;br /&gt;&lt;br /&gt;David &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_80"&gt;MacNeil&lt;/span&gt; &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_81"&gt;Doren&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Winds of Crete &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1974)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Glyn Hughes &lt;em&gt;&lt;span style="color:#000099;"&gt;Fair Prospects: Journeys in Greece&lt;/span&gt;&lt;/em&gt; (1976) &lt;span style="color:#ff0000;"&gt;&lt;strong&gt;???&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Brian Dicks &lt;em&gt;&lt;span style="color:#000099;"&gt;Corfu&lt;/span&gt;&lt;/em&gt; (1977)&lt;br /&gt;&lt;br /&gt;Jackson Webb &lt;em&gt;&lt;span style="color:#000099;"&gt;The Last Lemon Grove&lt;/span&gt;&lt;/em&gt; (1977) Crete&lt;br /&gt;&lt;br /&gt;Gerald &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_82"&gt;Durrell&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;The Garden of the Gods &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1978) Corfu&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lawrence &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_83"&gt;Durrell&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;The Greek Islands &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1978)&lt;/span&gt; &lt;span style="color:#ff0000;"&gt;&lt;strong&gt;Rec&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Arthur Foss &lt;em&gt;&lt;span style="color:#000099;"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_84"&gt;Epirus&lt;/span&gt;&lt;/span&gt;&lt;/em&gt; (1978) northern Greece &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Gwendolyn &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_85"&gt;Macewen&lt;/span&gt; &lt;em&gt;&lt;span style="color:#000099;"&gt;Mermaids and Icons: a Greek Summer&lt;/span&gt;&lt;/em&gt; (1978) mainland, islands&lt;br /&gt;&lt;br /&gt;John &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_86"&gt;Ebdon&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153); FONT-STYLE: italic"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_87"&gt;Ebdon's&lt;/span&gt; Odyssey&lt;/span&gt; (1979) Andros, Cos&lt;br /&gt;&lt;br /&gt;George &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_88"&gt;Moussa&lt;/span&gt; &lt;em&gt;&lt;span style="color:#000099;"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_89"&gt;Paros&lt;/span&gt; the White Island: a &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_90"&gt;Comprehensive&lt;/span&gt; Guide to &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_91"&gt;Paros&lt;/span&gt; and &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_92"&gt;Antiparos&lt;/span&gt;&lt;/span&gt;&lt;/em&gt; (1980) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Peter Levi &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;The Hill of &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_93"&gt;Kronos&lt;/span&gt; &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1981) Greece general&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Brian Dicks &lt;span style="color:#000099;"&gt;&lt;em&gt;Portrait of Southern Greece&lt;/em&gt;&lt;/span&gt; (1982)&lt;br /&gt;&lt;br /&gt;George &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_94"&gt;Galt&lt;/span&gt; &lt;em&gt;&lt;span style="color:#000099;"&gt;Trailing Pythagoras&lt;/span&gt;&lt;/em&gt; (1982) Reissued 1988 as 'A journey through the Aegean islands'&lt;br /&gt;&lt;br /&gt;John &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_95"&gt;Ebdon&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;&lt;strong&gt;&lt;a href="http://picasaweb.google.com/lh/photo/6d0WAheXS7dN-x3cm3g62w?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink"&gt;&lt;span style="color:#000099;"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_96"&gt;EBDON'S&lt;/span&gt; ILIAD&lt;/span&gt;&lt;/a&gt;&lt;/strong&gt; &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1983) &lt;/span&gt;Rhodes, &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_97"&gt;Kos&lt;/span&gt; and &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_98"&gt;Karpathos&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Peter &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_99"&gt;Greenhalgh&lt;/span&gt; and Edward &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_100"&gt;Eliopoulos&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Deep into Mani: Journey to the Southern Tip of Greece &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1985)&lt;/span&gt;&lt;br /&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;&lt;/span&gt;&lt;br /&gt;Brian Dicks &lt;a href="http://picasaweb.google.com/lh/photo/wem2KYDdaTbyaN7C45SLNA?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink"&gt;&lt;em&gt;&lt;span style="color:#000099;"&gt;&lt;strong&gt;THE GREEK ISLANDS&lt;/strong&gt;&lt;/span&gt;&lt;/em&gt; &lt;/a&gt;(1986)&lt;br /&gt;&lt;br /&gt;Murray Elliott &lt;span style="color:#000099;"&gt;&lt;em&gt;Vasili - Lion of Crete&lt;/em&gt;&lt;/span&gt; (1987) Special Operations Executive, Crete, world war 2&lt;br /&gt;&lt;br /&gt;Nicholas Gage &lt;em&gt;&lt;span style="color:#000099;"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_101"  style="color:#000099;"&gt;&lt;strong&gt;&lt;a href="http://picasaweb.google.com/lh/photo/qGPWVq7TAp5Lf98vaa9s4g?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink"&gt;HELLAS&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;: a Portrait of Greece&lt;/span&gt;&lt;/em&gt; (1987)&lt;br /&gt;&lt;br /&gt;Arthur &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_102"&gt;Eperon&lt;/span&gt; &lt;span style="color:#000099;"&gt;&lt;em&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_103"&gt;Eperon's&lt;/span&gt; Guide to the Greek Islands&lt;/em&gt;&lt;/span&gt; (1988) a good tourist guidebook of the '80s' with enough anecdotal material and reflection to set it apart&lt;br /&gt;&lt;br /&gt;Oliver Burch &lt;em&gt;&lt;span style="color:#000099;"&gt;Under Mount Ida: a Journey into Crete&lt;/span&gt;&lt;/em&gt; (1989) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;ohn &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_104"&gt;Ebdon&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Near Myths &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1989) Crete, &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_105"&gt;Symi&lt;/span&gt;, Rhodes&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Willard &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_106"&gt;Manus&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;This Way to Paradise: Dancing on the Tables &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1989) &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_107"&gt;Lindos&lt;/span&gt;, Rhodes&lt;/span&gt; &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Mimi &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_108"&gt;Summerskill&lt;/span&gt; &lt;em&gt;&lt;span style="color:#000099;"&gt;Aegean Summer: a Family Odyssey&lt;/span&gt;&lt;/em&gt; (1990) sailing in 1965&lt;br /&gt;&lt;br /&gt;Nancy &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_109"&gt;Raeburn&lt;/span&gt; &lt;em&gt;&lt;span style="color:#000099;"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_110"&gt;Mykonos&lt;/span&gt;: a Memoir&lt;/span&gt;&lt;/em&gt; (1992) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Christopher Thorne &lt;span style="color:#000099;"&gt;&lt;em&gt;Between the Seas &lt;/em&gt;(1992) Crete &lt;/span&gt;&lt;span style="color:#ff0000;"&gt;&lt;strong&gt;???&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Sara Wheeler &lt;span style="color:#000099;"&gt;&lt;em&gt;&lt;strong&gt;&lt;a href="http://picasaweb.google.com/lh/photo/q2K_33XM7znkZxm2mQLrag?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink"&gt;&lt;span style="color:#000099;"&gt;AN ISLAND APART&lt;/span&gt;&lt;/a&gt;&lt;/strong&gt;: Travels in &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_111"&gt;Evia&lt;/span&gt;&lt;/em&gt;&lt;/span&gt; (1992) reissued 2007 as &lt;span style="color:#000000;"&gt;'&lt;em&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_112"&gt;Evia&lt;/span&gt;: Travels on an &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_113"&gt;Undiscovered&lt;/span&gt; Greek Island'&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Michael Woodbine Parish&lt;span style="COLOR: rgb(102,255,153)"&gt;.&lt;/span&gt;&lt;span style="COLOR: rgb(51,0,153); FONT-STYLE: italic"&gt;&lt;a href="http://picasaweb.google.com/peelmealotus/AegeanTraveller?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink#5384620096143033666"&gt;&lt;span style="color:#000099;"&gt;&lt;strong&gt;AEGEAN ADVENTURES 1940-43&lt;/strong&gt;&lt;/span&gt; &lt;/a&gt;and the end of Churchill's Dream&lt;/span&gt; (1993) Aegean : World War II memoirs&lt;br /&gt;&lt;br /&gt;Lawrence Davey &lt;em&gt;&lt;span style="color:#000099;"&gt;Going After Feta&lt;/span&gt;&lt;/em&gt; (1994) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;John Gill &lt;em&gt;&lt;span style="color:#000099;"&gt;The Stars Over &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_114"&gt;Paxos&lt;/span&gt;&lt;/span&gt;&lt;/em&gt; (1995) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Tim Salmon &lt;span style="color:#000099;"&gt;&lt;em&gt;The Unwritten Places&lt;/em&gt;&lt;/span&gt; (1995) &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_115"&gt;Pindos&lt;/span&gt; mountains, northern Greece&lt;br /&gt;&lt;br /&gt;Adrian &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_116"&gt;Seligman&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;War in the Islands: Undercover Operations in the Aegean 1942-4 &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1996)&lt;/span&gt; &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Patricia &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_117"&gt;Storace&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;&lt;a href="http://picasaweb.google.com/lh/photo/vu2mmDL1JLGTe1NNq1iuXQ?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink"&gt;&lt;strong&gt;&lt;span style="color:#000099;"&gt;DINNER WITH PERSEPHONE&lt;/span&gt;&lt;/strong&gt; &lt;/a&gt;&lt;/em&gt;&lt;/span&gt;(1996) Greece general&lt;br /&gt;&lt;br /&gt;Geoffrey Kirk &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Towards the Aegean Sea: a Wartime Memoir &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1997) World War II, Levant Schooner Flotilla&lt;/span&gt; &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Katherine &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_118"&gt;Kizilos&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;The Olive Grove: Travels in Greece &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1997)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_119"&gt;Ernle&lt;/span&gt; Bradford (Francis Pagan ed.) &lt;/span&gt;&lt;em&gt;The Companion Guide to the Greek Islands &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1998) &lt;/span&gt;Revised edition of classic islands guide&lt;br /&gt;&lt;br /&gt;Fionnula Brennan &lt;em&gt;&lt;span style="color:#000099;"&gt;On a Greek Island: a Personal Experience&lt;/span&gt;&lt;/em&gt; (1998) Paros &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Edmund Keeley &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Inventing Paradise: The Greek Journey 1937-47 &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(1999) literary criticism&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Larry Habegger &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Travellers' Tales: Greece - True Stories &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(2000) quality holiday reading&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;Anthony Cox &lt;em&gt;&lt;span style="color:#000099;"&gt;Still Life in Crete&lt;/span&gt;&lt;/em&gt; (2001) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;David Roessel&lt;/span&gt; &lt;span style="COLOR: rgb(51,0,153); FONT-STYLE: italic"&gt;&lt;span style="COLOR: rgb(153,255,153)"&gt;&lt;span style="COLOR: rgb(51,0,153)"&gt;In Byron's Shadow: modern Greece in the English and American&lt;/span&gt; &lt;/span&gt;Imagination&lt;/span&gt; (2002) Greece in western literature 1770 - 1939&lt;br /&gt;&lt;br /&gt;Tom Stone &lt;em&gt;&lt;span style="color:#000099;"&gt;The Summer of my Greek Taverna&lt;/span&gt;&lt;/em&gt; (2002) Patmos&lt;br /&gt;&lt;br /&gt;Byron Ayanoglu &lt;em&gt;&lt;span style="color:#000099;"&gt;Crete on a Half Shell: a Story About an Island, Good Friends and Food&lt;/span&gt;&lt;/em&gt; (2003) &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;???&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Edward Enfield &lt;em&gt;&lt;span style="color:#000099;"&gt;Greece on my Wheels&lt;/span&gt;&lt;/em&gt; (2003) &lt;span style="color:#ff0000;"&gt;&lt;strong&gt;???&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Patrick Leigh Fermor (Artemis Cooper ed.) &lt;span style="COLOR: rgb(51,0,153)"&gt;&lt;em&gt;Words of Mercury &lt;/em&gt;&lt;/span&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;(2003) collection of pieces from books, journalism and letters, including Greece &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;Rec&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;George Hellyer &lt;em&gt;&lt;span style="color:#000099;"&gt;In Calypso's Thrall: an American's Decade in a greek Village&lt;/span&gt;&lt;/em&gt; (2004) Corfu &lt;span style="color:#ff0000;"&gt;&lt;strong&gt;???&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;John Mole &lt;em&gt;&lt;span style="color:#000099;"&gt;Its all Greek to Me!&lt;/span&gt;&lt;/em&gt; (2004) Evia&lt;br /&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;Barry Unsworth &lt;em&gt;&lt;span style="color:#000099;"&gt;Crete&lt;/span&gt;&lt;/em&gt; (2004)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;John Waller &lt;em&gt;&lt;span style="color:#000099;"&gt;Greek Walls: an Odyssey in Corfu &lt;/span&gt;&lt;/em&gt;(2004)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;Sofka Zinovieff &lt;em&gt;&lt;span style="color:#000099;"&gt;&lt;strong&gt;&lt;a href="http://picasaweb.google.com/lh/photo/o5Bienai0SvwQoOFDvEt-g?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink"&gt;&lt;span style="color:#000099;"&gt;EURYDICE STREET&lt;/span&gt;&lt;/a&gt;&lt;/strong&gt; - a Place in Athens&lt;/span&gt;&lt;/em&gt; (2004) &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;Roger Jinkinson &lt;em&gt;&lt;span style="color:#000099;"&gt;Tales form a Greek Island&lt;/span&gt;&lt;/em&gt; (2005) Karpathos&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Rory Maclean &lt;span style="color:#000099;"&gt;&lt;em&gt;&lt;strong&gt;&lt;a href="http://picasaweb.google.com/lh/photo/wm4f0ttnpIFpG4IqOWtkDw?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink"&gt;&lt;span style="color:#000099;"&gt;FALLING FOR ICARUS&lt;/span&gt;&lt;/a&gt;&lt;/strong&gt;: a Journey Among the Cretans&lt;/em&gt;&lt;/span&gt; (2005)&lt;br /&gt;&lt;br /&gt;Lina Anritz &lt;span style="color:#000099;"&gt;&lt;em&gt;&lt;strong&gt;&lt;a href="http://picasaweb.google.com/lh/photo/XZxKow8oPDvd1I8ukGSbvw?authkey=Gv1sRgCLb76J7Znr6_KA&amp;amp;feat=directlink"&gt;&lt;span style="color:#000099;"&gt;DREAM SEEKING&lt;/span&gt;&lt;/a&gt;&lt;/strong&gt;: on Nisyros a Small Greek Island&lt;/em&gt;&lt;/span&gt; (2006)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Christopher Somerville &lt;em&gt;&lt;span style="color:#000099;"&gt;The Golden Step: a Walk Through the Heart of Crete&lt;/span&gt;&lt;/em&gt; (2008)&lt;/p&gt;&lt;p&gt;Ursula Haselden &lt;em&gt;&lt;span style="color:#000099;"&gt;Orchids for Aphrodite: Aegean Odyssey&lt;/span&gt;&lt;/em&gt; (2009) sailing, Greece and Turkey&lt;/p&gt;&lt;p&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;&lt;/p&gt;&lt;/span&gt;-----------------------------------------------------------------------------------&lt;br /&gt;&lt;br /&gt;Search Bot Indexing: greece travel greek islands travel aegean islands travel ionian islands travel dodecanese islands travel cyclades islands travel greece travel writing greek islands travel writing greece bibliography greek islands bibliography holiday reading greece reading greek islands reading books about greece books about greek islands greece travel literature greek islands travel literature aegean books dodecanese books cyclades books ionian books egina books poros books hydra books spetses books andros books tinos books mykonos books delos books syros books naxos books paros books amorgos books ios books thira books santorini books crete books rhodes books symi books kos books leros books patmos books samos books lesbos books lesvos books thassos books skiathos books skopelos books evvia books euboea books corfu books paxos books kefallonia books ithaca books zakynthos books&lt;br /&gt;&lt;br /&gt;-----------------------------------------------------------------------------------&lt;br /&gt;&lt;a title="Click here to see who's linking to my site." href="http://www.wholinks2me.com/"&gt;Who links to my website?&lt;/a&gt;&lt;br /&gt;-----------------------------------------------------------------------------------&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7913876-109352562716140451?l=aegeantraveller.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aegeantraveller.blogspot.com/feeds/109352562716140451/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7913876&amp;postID=109352562716140451' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7913876/posts/default/109352562716140451'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7913876/posts/default/109352562716140451'/><link rel='alternate' type='text/html' href='http://aegeantraveller.blogspot.com/2004/08/bibliography-greece-travel-writing-in.html' title='Bibliography : Greece Travel Writing in English'/><author><name>lotus eater</name><uri>http://www.blogger.com/profile/08168138141375316437</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='23' height='32' src='http://www.variety.com/graphics/photos/storypics/troy_pitt.jpg'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7913876.post-109232786888581588</id><published>2009-08-20T17:21:00.003+01:00</published><updated>2011-02-11T16:34:51.231Z</updated><title type='text'>Greek Islands: Travel Writing in a Nutshell</title><content type='html'>&lt;span style="font-size:130%;"&gt;All too often these days, travelers to the islands will become the authors of nothing better than their own, sometimes considerable, misfortune.&lt;br /&gt;&lt;br /&gt;It is particularly and shamefully a British phenomenon. Absorb the headlines and consider if you will the &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_0"&gt;Kavos&lt;/span&gt; scooter army, or the never-ending cycle of crime and punishment between booze sodden &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_1"&gt;Faliraki&lt;/span&gt; Brits and the &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_2"&gt;Rhodian&lt;/span&gt; judiciary.&lt;br /&gt;&lt;br /&gt;Officiates of the Darwin Awards should monitor the activities of these insular tribes more closely as the Fates are less tempted here than bated. Cynically, the object of the modern package odyssey almost seems to be a return flight in the hold of the aircraft, or at the very least an involuntary extension to the holiday, involving a prompt transfer to a Greek hospital or jail.&lt;br /&gt;&lt;br /&gt;This can all too easily seem one sided but It takes two to tango, and the manner in which some Greeks have embraced, developed and exploited their relationship with package tourism has produced unfortunate results, allowing ad &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_3"&gt;hoc&lt;/span&gt; vulgarity to triumph over order and ugliness to creep in where once there was beauty.&lt;br /&gt;&lt;br /&gt;It is almost the lot of the seasoned travel writer to be chagrined at the demise of the Aegean &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_4"&gt;arcadia&lt;/span&gt; of their youth, untarnished, azure and whitewashed as it remains still in the minds eye, but they too must concede that the unfettered &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_5"&gt;epicurism&lt;/span&gt; of their own lotus eating days could only serve to prod island tourism in its current direction.&lt;br /&gt;&lt;br /&gt;The identity of many island populations, and with it their cultural cohesion and 'character' as perceived by outsiders was changing dramatically as early as the late 1950's. The arrival of tourism and the nascent expatriate communities were significant agents for this change, within the wider context of economic, social and political development and the 20&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_6"&gt;th&lt;/span&gt; Century Greek diaspora.&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;br /&gt;For example, the travel writing of the 60's and 70's is replete with cliched accounts of freeloading &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_7"&gt;beatnicks&lt;/span&gt; and hippies shamelessly exploiting the Greek tradition of hospitality, while their Orthodox hosts are forced to observe their sexual shenanigans, on marijuana misted beaches, with varying degrees of perplexity and disdain.&lt;br /&gt;&lt;br /&gt;Correspondingly, with the growth of the hospitality infrastructure and the first resorts, there are literary accounts, mainly naive in my own view, of how easily these 'poor' island communities were tempted to sacrifice the &lt;em&gt;genius loci&lt;/em&gt; in order to meet the perceived requirements of a more numerous and financially lucrative, but less cultured, appreciative and therefore deserving clientele. It is far easier to hold the opinion that the best things in life are free if you are an independent educated traveler, from a privileged background, with the financial means to return to it as you please. The Greeks are, after all, a business minded people.&lt;br /&gt;&lt;br /&gt;As a corpus, English language accounts of travel to Greece abound, and the genre attracted many highly acclaimed travel writers of the past century.&lt;br /&gt;&lt;br /&gt;The topographical accounts of 19&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_8"&gt;th&lt;/span&gt; century travelers and antiquarians are not as stylistically inaccessible as might be presumed. They often provide much fascinating detail but are now hard to find.&lt;br /&gt;&lt;br /&gt;By far the most prolific generation of writers on Greece were published between the late 1930's and mid 1970's. Literati such as Patrick Leigh &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_9"&gt;Fermor&lt;/span&gt;, Lawrence &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_10"&gt;Durrell&lt;/span&gt;, Henry Miller and &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_11"&gt;Dilys&lt;/span&gt; Powell are synonymous with the genre and it is not unjustified to regard this period as the 'golden age' of Greek travel writing.&lt;br /&gt;&lt;br /&gt;In many ways, the evocative power of these books, relating as they do to a largely 'unadulterated' Greece in the nostalgic sense, sets the modern reader up for inevitable failure and disappointment, by generating an archetypal ideal, an impossible yardstick by which the travelers' Greece of today, physically and &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_12"&gt;experientially&lt;/span&gt;, is too often measured. The pervading theme is the unique bond many of these writers felt with the Greek people and their cause, born of the exigencies of military, civil or diplomatic service in Greece during and in the aftermath of the Second World War. These writers cut their literary teeth in troubled times and are able to engage with their subject matter on a level rarely achieved before or since.&lt;br /&gt;&lt;br /&gt;The postwar generation of travelers and writers encountered a rapidly changing Greece in an age of new possibilities. They brought with them new values and expectations, and the place of Greece in the western imagination, as a mystical, semi-eastern reliquary for the classical and Byzantine past, was changing too.&lt;br /&gt;&lt;br /&gt;The Greece reflected in the travel writing of this era fulfils a variety of literary functions. It can sometimes be little more than an aesthetic backdrop to the bacchanalian rituals of those determined to drink as deeply as possible from the cup of life. For those seeking to achieve a balance between domestic responsibility, and a passion to live life differently, it can be a chance to flee the rat race, raise a family, get back to basics, perhaps go native and of course, to write a book about it afterwards. Others will write in order to record and share a spiritual odyssey, a catharsis, a pilgrimage to discover a tangible counterpart to the geography of the imagination or the landscape of a dream.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7913876-109232786888581588?l=aegeantraveller.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aegeantraveller.blogspot.com/feeds/109232786888581588/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7913876&amp;postID=109232786888581588' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7913876/posts/default/109232786888581588'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7913876/posts/default/109232786888581588'/><link rel='alternate' type='text/html' href='http://aegeantraveller.blogspot.com/2004/08/greek-islands-travel-writing-in.html' title='Greek Islands: Travel Writing in a Nutshell'/><author><name>lotus eater</name><uri>http://www.blogger.com/profile/08168138141375316437</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='23' height='32' src='http://www.variety.com/graphics/photos/storypics/troy_pitt.jpg'/></author><thr:total>2</thr:total></entry></feed>
